From The New York Times:
In 2006, when Ms. Wall Spitzer showed a reporter around their apartment on Fifth Avenue, she proudly declared that as a rule, only artwork made by members of the immediate family was allowed to hang on the walls.That's how the article ends. It reminded me of this passage from Woody Allen's short story, "The Whore of Mensa":
One multicolored drip painting, in a den that the family calls the Adirondack Room, had been signed “Spitzer Wall,” because the two of them had painted it together early in their courtship.
“Eliot and I had been to the Whitney and were looking at a Jackson Pollock, and he said, ‘I could do that,’ ” Ms. Wall Spitzer said, imitating her husband with a braggadocious tone. “So I said, ‘Let’s see you try,’ and then I helped him.”
A wall of books opened, and I walked like a lamb into that bustling pleasure palace known as Flossie's. Red flocked wallpaper and a Victorian decor set the tone. Pale, nervous girls with black-rimmed glasses and blunt-cut hair lolled around on sofas, riffling Penguin Classics provocatively. A blonde with a big smile winked at me, nodded toward a room upstairs, and said, "Wallace Stevens, eh?" But it wasn't just intellectual experiences. They were peddling emotional ones, too. For fifty bucks, I learned, you could "relate without getting close." For a hundred, a girl would lend you her Bartok records, have dinner, and then let you watch while she had an anxiety attack. For one-fifty, you could listen to FM radio with twins. For three bills, you got the works: A thin Jewish brunette would pretend to pick you up at the Museum of Modern Art, let you read her master's, get you involved in a screaming quarrel at Elaine's over Freud's conception of women, and then fake a suicide of your choosing - the perfect evening, for some guys. Nice racket. Great town, New York.